Woman's Art Journal

SPRING / SUMMER 2003 VOLUME 24, NUMBER 1

Leonor Fini, The Ends of the Earth (1949).
Private collection.

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TABLE OF CONTENTS

PORTRAITS

THE TRANQUIL POWER OF PERLE FINE'S ART

By Kathleen L. Housley

MARGARET FISHER: An American Modernist

By John R. Clarke

EILEEN MAYO: Her Prints, Posters, and Postage Stamps

by Jillian Cassidy

CATERINA SFORZA'S PORTRAIT MEDALS: Power, Gender, and Representation in the Italian Renaissance Court

By Joyce de Vries

ISSUES AND INSIGHTS

VITTORIA COLONNA AND TITIAN'S PITTI MAGDALEN

By Nirit Ben-Aryeh Debby

REVIEWS

Virtue and Beauty: Leonardo's Ginevra de'Benci and Renaissance Portraits of Women

edited by David Allan Brown

Reviewed by Lilian H. Zirpolo

Mary Colter: Architect of the Southwest

by Arnold Berke

Reviewed by Pamela H. Simpson

Culture in the Markeplace: Gender, Art, and Value in the American Southwest

by Molly H. Mullin

Reviewed by Joyce M. Szabo

Surrealism: Desire Unbound

edited by Jennifer Mundy

Reviewed by Virginia Pitts Rembert

The Black Female Body: A Photographic History

by Deborah Willis and Carla Williams

Reviewed by Lisa E. Farrington

Lesbian Art in America: A Contemporary History

by Harmony Hammond

Reviewed by Helen Langa

Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics

by Marcia Brennan

Reviewed by Karen A. Bearor

Self and History: A Tribute to Linda Nochlin

edited by Aruna D'Souza

Reviewed by Steven Z. Levine

About Woman's Art Journal

Published semiannually—May and November—since 1980, Woman's Art Journal continues to represent the interests of women and art worldwide. Our articles and reviews cover all areas of women in the visual arts, from antiquity to the present day. Each issue presents current research on a variety of topics, featuring "portraits" of women artists, "issues and insights," and discerning reviews of recent books and exhibition catalogues. Each article is well researched and clearly written. Our authors are international scholars in their fields. A typical 60-page issue contains 20-25 color plates and 25-35 black-and-white illustrations.

WAJ is indexed on all major art indexes and bibliographies, and is used as a supplementary text in many university courses on women and art. The journal is found in university and major libraries worldwide and in selected museum bookshops, including the Metropolitan (New York), Philadelphia, and Nelson-Atkins (Kansas City), and the National Museum of Women in the Arts (Washington, D.C.).

WAJ is available by subscription.

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Contact

Elsa Honig Fine, Editor and Publisher
Woman's Art Journal
1711 Harris Road
Laverock, PA 19038
waj@womansartjournal.org

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